In previous posts, I explored how Captain America: The Winter Soldier reveals the larger duality game of the New World Order. Then I explored how recent cinema blockbusters manipulate the duality of the NWO and create a controlled opposition to instill programming for violent revolution in The Giver: More New World Order Duality Programming.
In the film “Snowpiercer,” this form of duality programing is laid bare before our eyes, to instill acceptance, compliance, and full participation with the Illuminati agenda.
The Emperor has no cloths! Welcome to the asylum!
Let’s take a closer look at some of the old and new themes present in this film.
The Plot, from wikipedia
In 2014, an experiment to counteract global warming causes an ice age that kills nearly all life on Earth. The only survivors are the inhabitants of the Snowpiercer, a massive train, powered by a perpetual-motion engine, that travels on a globe-spanning track. A class system is installed, with the elites inhabiting the front of the train and poor inhabiting the tail.
In 2031, the tail inhabitants prepare for the latest in a series of rebellions. Guards arrive periodically to deliver protein blocks for food, and take some of the children. During the guards’ next visit, Curtis Everett leads the tail inhabitants in revolt, forcing their way through several train cars … [as they] continue through the train, [they] discover the extravagance in which the elites have been living while the poor wallowed in squalor … [on a mission] to confront Wilford, creator of the train and its hierarchy.
CHEMTRAILS & GLOBAL WARMING
According to the upcoming United Nations Intergovernmental Panel on Climate Change climate assessment, “Global warming is irreversible without massive geoengineering of the atmosphere’s chemistry.”
The number one geoengineering answer appears to come in the form of ‘chemtrails,’ a phenomenon of spraying heavy metals like aluminum into the atmosphere to block out the sun. Although governments still refuse to officially admit chemtrailing even exists, articles such as, “Geoengineering Could Turn Skies White” published last summer blatantly discuss a Carnegie Institute study on geoengineering via chemtrails as if it is already occurring as we speak.
By now it should be apparent that the elite-controlled film industry relies upon the cognitive dissonance of the viewing audience. When we view a typical Hollywood movie, we are required to suspend disbelief in order to become emotionally investing in the plot of the film. This is actually a type of trance state that allows information to easily slip past our conscious waking mind which we might otherwise reject. Thus the film can present factual conspiracies as background plot without anyone in the audience blinking an eye. We might as well be watching a subversive documentary, but because our brain labels it fantasy or fiction, we absorb the information without any awareness of our consent to make it part of our subconscious reality, the basis of predictive programming.
One should either avoid watching these films or watch them with full conscious awareness of what messages are being conveyed. To believe these films are simply ‘entertainment’ is no different than being asleep, lost in a dream world someone else has made for you… another Matrix. And like most dreams, there is a lot of symbolism at play.
THE WINTER MOTIF
Now, I don’t believe we are about to enter another Ice Age, though some data suggests that reduced solar activity is responsible for global cooling.
Times of depressed solar activity seem to correspond with times of global cold. For example, during the 70-year period from 1645 to 1715, few, if any, sunspots were seen, even during expected sunspot maximums. Western Europe entered a climate period known as the “Maunder Minimum” or “Little Ice Age.” Temperatures dropped by 1.8 to 2.7 degrees Fahrenheit. Conversely, times of increased solar activity have corresponded with global warning. During the 12th and 13th centuries, the Sun was active, and the European climate was quite mild.
However, recently there has been a lot more solar activity.
More than likely, the Ice Age in Snowpiercer is merely metaphorical for the New Age the Illuminati wish to usher in, an everlasting winter, a return to darkness, brutality, depression, and despair. There have been several eternal winter metaphors in popular media lately.
THE TRAIN MOTIF
Of course, the plot line of this film is incredibly ludicrous – humanity’s survival depends upon racing around the globe on a supersonic train in the middle of an Ice Age, maintaining a perfectly balanced ecosystem. How do the train tracks keep from freezing over with snow?
While the hi-speed train serves the basic plot, rebels fighting their way from the tail section of the train to the engine room, there may be other aspects of this train motif.
The micro-culture of this train provides a glimpse into the type of dystopian totalitarian society the elite would like to manifest: a brutal New Order, a class-based society similar to world of The Hunger Games.
“Order is the barrier that holds back the flood of death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our preordained particular position. Would you wear a shoe on your head? Of course you wouldn’t wear a shoe on your head. A shoe doesn’t belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is. In the beginning, order was proscribed by your ticket: First Class, Economy, and freeloaders like you. Eternal order is prescribed by the sacred engine: all things flow from the sacred engine, all things in their place, all passengers in their section, all water flowing. all heat rising, pays homage to the sacred engine, in its own particular preordained position. So it is. Now, as in the beginning, I belong to the front. You belong to the tail. When the foot seeks the place of the head, the sacred line is crossed. Know your place. Keep your place. Be a shoe.”
Trains are no longer considered a preferable mode of transportation, at least in the public mind. They are ‘old fashioned,’ more typically associated with transporting ‘cargo.’ So the train motif may in fact hold a historical association.
Perhaps the elites have a fondness for trains. Internet stories tell of hi-speed trains that run between their various secret underground bases.
The Very High Speed Transit System (VHST) was a Rand Corporation concept that was presented to the military industrial complex in the 1970′s. The concept was way ahead of it’s time, exactly what the secret sinister government needed to connect their vast expansions of underground bases throughout the United States and in various regions worldwide. This could offer an explanation for some of the recent strange sounds and booms across the country.
CHRIS EVANS: ANTI-NWO POSTER BOY
When did likable scoundrel Chris Evans from the Fantastic Four films become the anti-NWO Poster Boy? When he was tapped by Marvel Studios to play Captain America, a typecast role for which he now seems destined to replay in different incarnations. There are several parallels between Evan’s role in Snowpiercer and his role as Captain America. In both films, Chris Evans finds himself leading the resistance against a New World Order.
Not only does Hollywood like to typecast actors into specific roles, apparently they like to use these roles as archetype figures in their bloated media rituals, sometimes with deadly results.
From: Pop Culture Keys
Evans’s grungy, emaciated, bearded appearance and dark crew cut a stark contrast to the bleached-blond steroidal superhero he portrays in “The Avengers.” A quick overview of the thespian’s own interviews over the years gives one an impression that while, as a “Marvel actor” (he also portrayed “Fantastic Four” firebrand The Human Torch), he is very much “in” the System, he also is very willing to subvert/exit said System.
As such, his role in “Snowpiercer” seems like a very knowing reversal of the Aryan-looking heroic spandex-and-body armor ideal he has been pigeonholed into. To make the parallels with Captain America even more explicit, Curtis’s relationship with mentor Gilliam almost mirrors, line-for-line, that of Steve Rogers and Dr. Abraham Erskine, who turned him into a “Super Soldier” in “Captain America: The First Avenger.”
JOHN HURT: 1984 REVISITED
You could argue that John Hurt played the original anti-NWO poster boy in the film adaptation of George Orwell’s classic anti-totalitarian novel 1984. And like Evan’s character in Snowpiercer, Hurt’s character comes to a similar unsatisfying end as the manipulated pawn of State Order.
From: Pop Culture Keys
Only “Hero of the People” Gilliam, played by “1984’s” John Hurt, is ultimately a fake and a phony, doing his part to keep Curtis and the rest of the oppressed “Proles” on the train Snowpiercer within the Matrix—trapped indefinitely within an ouroboros of enslavement within a highly artificial physical and social structure. It is as if Morpheus was best friends with Mr. Smith, leading Neo down a rabbit hole of further self-delusion.
From: Pop Culture Keys
For the hero, there may be no bigger danger than exactly this type of mentor/”wise-man.” An over-the-top, electricity-wielding super-villain is at least “clearly marked” as such—easy to identify. But a kindly father-figure full of flatteries is deeply seductive. Especially when such flattery insinuates that YOU might be the “Messiah.”
Similarly, the German Dr. Erskine from “First Avenger” is one of the Nazi scientists shipped over by the United States during/after World War II. Captain America’s origins are inextricably entwined with that of Aryan ideals of the Übermensch—Steve Rogers’s own freakishly skinny original body an eerie, unacknowledged parallel to that of Jews in concentration camps.
The Nazi allegory in “First Avenger” is then further concretized by images of the thin Rogers being experimented on in large, intimidating machines. Contrast this phantasmagorical technology with the “Engine” Curtis finds himself within at the end of “Snowpiercer.”
HOLLYWOOD VIOLENCE IS JUST MORE PROGRAMMING
The middle of this film is a non-stop train ride of brutal violence. The viewing public has been slowly conditioned to accept greater levels of violence in the cinema and on television over the last few decades, and yet we continue to argue and believe that increasing exposure to this imagery has no ill effect on the human mind.
From: The Blaze
“What we’re seeing, especially on primetime, is content that never, ever would have made it to air on primetime broadcast TV as recently as five or 10 years ago,” Tim Winter, president of the Parents Television Council, recently told TheBlaze. ”The HBOs and Cinemaxes and Showtimes of the world are trying to compete against the Internet.”
But he said the dynamic goes well beyond that, with basic cable companies also trying to battle “the HBOs of the world” and with broadcast networks joining in on the content war.
A University of Pittsburgh publication states that a child in America sees 10,000 acts of violence on television each year.
Overall, a child’s attitude toward violence after prolonged exposure to it can make him desensitized to its overall impact and effects and also can promote a negative perception of the world. Coupled with potential risk factors of sociological conditions and personality, media violence may affect violent behavior.
Late in the film, anti-hero Curtis (Chris Evans) makes a nauseating confession of resorting to cannibalism to survive in the tail section of the train. This admission presents him as a morally flawed individual who may well be tempted to join the ranks of the elite and one day take over as the conductor of the train. Is this perhaps the goal of increased media violence and over-sexualization, to desensitize and degrade minds to the point of accepting the inherent immorality of global totalitarian rule?
‘W’, WILFORD: ARCHITECT OF THE MATRIX
The confrontation scene at the end of “Snowpiercer” bears an undeniable resemblance to a scene in “Matrix: Reloaded” where Neo (Keanu Reeves) meets the Architect of the Matrix. Curtis learns, as does Neo in the Matrix films, that his revolution has been planned and executed many times before for a specifically designed purpose. In the “Matrix,” Neo’s revolution is used to expose the flaws in the control system of the Matrix. In “Snowpiercer,” Curtis’ revolution is used to thin the herd and keep the train’s ecosystem in check.
The motif of the Architect (of the Matrix or illusory world) is one that has great significance in gnosticism and Freemasonry. I explored the idea of the demiurge in my novel, “Season of the Serpent: Book Two.”
The Great Architect of the Universe (also Grand Architect of the Universe or Supreme Architect of the Universe) is a conception of God discussed by many Christian theologians and apologists. As a designation it is used within Freemasonry to neutrally represent deity. The concept of the demiurge as a grand architect or a great architect also occurs in gnosticism and other religious and philosophical systems. (wikipedia.org)
From: Pop Culture Keys
If the train that the last remnants of humanity are trapped on in “Snowpiercer” is the Matrix, true liberation cannot be achieved through any act within said train. For said train, created by Gilliam (“God”) and Wilford (“The Devil”), is, ultimately, Maya. Illusion.
Furthermore, the artificial construct of Neo/Messiah—a smokescreen invented by Gilliam/Morpheus Wilford/Mr. Smith—is also illusion. And up until the very end of the movie, the only character who has a clear grasp of this sad fact is Namgoong Minsu—the security expert turned drug addict.
And now a word from the train’s creator and conductor, Wilford:
“This train is a closed ecosystem. We must always strive balance… the population must always be kept in balance. For optimum balance, however, there have been times when more radical solutions were required, when the population needed to be reduced rather drastically.
We don’t have time for true natural selection. We would all be hideously overcrowded and starved waiting for that. The next best solution is to have individual units kill off other individual units. From time to time we’ve had to stir the pot, so to speak… the Great Curtis Revolution, a blockbuster production with a devilishly unpredictable plot…
I believe it is easier for someone to survive on this train if they have some level of insanity. As Gilliam well understood, we need to maintain a proper balance of anxiety and fear, chaos and horror in order to keep life going. And if we don’t have that, we need to invent it. In that sense, the Great Curtis Revolution you invented was truly a masterpiece.”
Straight from the mind of the illuminati, we have a bold admission of a centuries old agenda that obeys the dictates of the Hegelian dialectic, a.k.a.: Problem. Reaction. Solution. The final solution being one of depopulation.
RELATED POST: Overpopulation: Fact Or Myth?
THE DEPOPULATION AGENDA
On one of the highest hilltops in Elbert County, Georgia stands a huge granite monument. Engraved in eight different languages on the four giant stones that support the common capstone are 10 Guides, or commandments. That monument is alternately referred to as The Georgia Guidestones, or the American Stonehenge. Though relatively unknown to most people, it is an important link to the Occult Hierarchy that dominates the world in which we live.
Commandment #1: Maintain humanity under 500,000,000 in perpetual balance with nature.
Earlier this fall, an engraved cube with the date 2014 was secretly inserted into the monument on the english language slab. It quickly caused an internet firestorm and the mysterious cube was publicly, and perhaps ritually, destroyed. Also, the ebola scare which was once the dominant, ever-present story in the mainstream media (and on some alt-media outlets) has now suddenly faded from the news and is now largely ignored. Fortunately, the panic and the virus have not spread.
Like the train in “Snowpiercer,” has the elite agenda for global fear and global depopulation actually been derailed? We’ll have to wait and see.
THE ILLUMINATI REQUIRE YOUR CONSENT
The demonic NWO sales pitch in “Snowpiercer” is so bold and in your face, one has to assume that either (A) they are overly confident of success and feel their plans are inevitable, (B) this is a new form of desperation that requires greater consent from the public consciousness, or (C) both.
Regular readers already know that our consciousness creates our reality. Casual readers may not accept this, however I’d like to challenge them to broaden their perspective. I guarantee that the illuminati know this principle all too well. So if you are unwilling to listen to the spiritualist’s message, perhaps they’ll listen to the physicist’s message:
From: Physicists: Universe Is Immaterial, Mental & Spiritual
As observers, we are personally involved with the creation of our own reality. Physicists are being forced to admit that the universe is a “mental” construction. Pioneering physicist Sir James Jeans wrote: “The stream of knowledge is heading toward a non-mechanical reality; the universe begins to look more like a great thought than like a great machine. Mind no longer appears to be an accidental intruder into the realm of matter, we ought rather hail it as the creator and governor of the realm of matter. Get over it, and accept the inarguable conclusion. The universe is immaterial-mental and spiritual.” – R.C. Henry, Professor of Physics and Astronomy at Johns Hopkins University , “The Mental Universe” ; Nature 436:29,2005)
The simple fact is that the dark forces on this planet are trying to subvert a loophole of Universal Law which requires them to gain the acceptance of the Earth’s population before they can impose their will upon the planet. This acceptance can be subconscious, which is why they make films like “Snowpiercer” which are constructed to reveal their agenda. They know that they can not openly convince us to co-create their desired reality for them, so they have to deceive us into accepting and believing in the reality they wish to impose. But together, we have the power and the will to say no.
The positive path preserves balance by maximizing freewill in the system, the other creates imbalance by diminishing the freewill of others through force, deception, and assimilation; the first advances self by also advancing others, the second advances self at the detriment of others.
The only reason the negative path can continue to exist at all without immediate entropic disintegration is because it functions as a parasitic Ponzi scheme where a hierarchy of predators depends on perpetual influx of recruits and resources to keep from starving and imploding. Earth has become the recruitment and feeding grounds for at least one such hierarchy.
About the Author
David Nova is the author of the metaphysical fiction series “Season of the Serpent.” He is a truth-seeker, a Wanderer, a blogger, and the moderator of Deus Nexus: Messages For An Entangled Universe. For additional information about the author or his novels, visit his website, or his Facebook page.
This article is offered under Creative Commons license. It’s okay to republish it anywhere as long as attribution bio is included and all links remain intact.