PART TWO: A GRAND DECEPTION
Recent revelations about multiple Secret Space Programs by Corey/GoodETxSG (if true) have the potential to completely rewrite many of our long-held beliefs, assumptions, and paradigms. While these revelations shed new light on the unconventional reality of a Breakaway Civilization, they also raise many more questions, the implications of which are staggering.
In PART ONE, I gave an overview of some of these implications. In PART TWO, I examine the presumption of a Breakaway Civilization and explore how the human race may have been masterfully deceived.
A COGNATIVE DISCONNECT
It sounds like science fiction. For more than 99% of the planet’s population the idea of secret space programs and a Breakaway Civilization is just that – science fiction.
Since the early days of NASA and the ‘official’ space program, the world has been exposed to countless science fiction films and television programs. Thus over the course of decades, the public has progressively adopted a media-influenced cultural belief-system, drawing the distinction between science fact and science fantasy, even when that line slowly moved.
The media we watch has a very strange relationship with our brain. Our subconscious mind can not tell the difference between what is real and what is illusion, but our conscious mind makes a clear distinction between fact and fiction. Thus our media has an almost hypnotic effect upon us, like a magic trick, giving our subconscious mind a set of facts while telling our conscious mind it’s all just an illusion. The magician creates an illusion by giving our subconscious mind the magic it craves, while keeping our conscious analytical mind distracted. The occult elite work their magic much the same way, hiding the reality of their tricks by creating a cognitive disconnect.
The technology of science fiction, from Star Trek to Star Wars, is typically far superior to the primitive chemical propulsion rockets that NASA exploited to launch us into space, technology that hasn’t really changed that much since World War II. And yet despite the accelerated pace at which computers have advanced over the decades, putting micro processors into our iPhones, more powerful than an entire room full of computers used by NASA during the Apollo program, our best and brightest minds have collectively decided that returning men to the moon is an impractical waste of time. We have the communicators and scanners from the Star Trek television series, yet we still don’t have the transporters or the warp engine drives. Have we been deceived into believing that our propulsion technology has completely stagnated, that it is still hundreds of years behind that of a true space fairing civilization?
Many people suspect new propulsion technologies already exist and that one was developed by Nikola Tesla in the early part of the 20th century, which was immediately suppressed by the United States government.
Did Tesla Discover the Secrets of Antigravity?
…it is no surprise that Tesla also delved into the world of flight and possibly, antigravity. In fact, his last patent in 1928 (#1,655,114), was for a flying machine that resembled both a helicopter and an airplane. Before he died, Tesla reportedly devised plans for the engine of a spaceship. He called it the anti-electromagnetic field drive or Space Drive.
William R. Lyne writes in Occult Ether Physics, that a lecture Tesla prepared for the Institute of Immigrant Welfare (May. 12, 1938), dealt with his Dynamic Theory of Gravity. Tesla said in his lecture that this was:
“One of two far reaching discoveries, which I worked out in all details in the years 1893 and 1894.”
While researching Tesla’s statements, Lyne discovered that more complete statements concerning these discoveries could only be gleaned from scattered and sparse sources, because Tesla’s papers are concealed in government vaults for national security reasons. When Lyne specifically asked for these papers at the National Security Research Center (now the Robert J. Oppenheimer Research Center) in 1979, he was denied access because they were still classified. In his 1938 lecture, Tesla said he was progressing with the work, and hoped to give the theory to the world very soon.
NAZI FLYING DISKS
During World War II, the Nazis were busy working on their own advanced propulsion systems – a matter of public record. In 1945, Sir Roy Feddon, Chief of the Technical Mission to Germany for the Ministry of Aircraft Production stated:
“…I have seen enough of their designs and production plans to realize that if they (the Germans) had managed to prolong the war some months longer, we would have been confronted with a set of entirely new and deadly developments in air warfare.”
In 1956, Captain Ruppelt, Chief of the US Air Force Project Bluebook added:
“When WWII ended, the Germans had several radical types of aircraft and guided missiles under development. The majority were in the most preliminary stages, but they were the only known craft that could even approach the performance of objects reported to UFO observers…”
One scientist, Viktor Schauberger, was involved in the production of flying disks, and he allegedly flew one in 1945 near Prague, just as Schriever had claimed. His experimental prototypes were based on levitation. He argued that:
“Prevailing technology uses the wrong forms of motion. It is based on entropy – on motions which nature uses to break down and scatter materials. However, nature uses a different type of motion for creating order and new growth. The prevailing explosion-based technology – fuel burning and atom splitting – fills the world with expanding, heat-generating centrifugal motion.”
Was he light years ahead of prevailing scientific thought, looking to the natural world for clues to an alternative propulsion? Were his ideas inspired by contact with an extraterrestrial intelligence, as perhaps Tesla’s were? Hitler wanted Schauberger to supervise the building of a new flying craft that could levitate without burning any fuel. In 1956, The Munich publication, ‘Da Neue Zeitalter’ wrote:
“Viktor Schauberger was the inventor and discoverer of the new motive power, implosion, which, with the use of only air and water, generated light, heat and motion.”
The publication reported that the first unmanned flying disc, what to an observer would have appeared to be a Nazi UFO, was tested near Prague in 1945, that it could hover motionless in the air and could fly as fast backwards as forwards. It was also reported to have a diameter of 50 meters. Former CIA agent Virgil Armstrong also supported these claims, commenting:
“We know that in the early parts of the war there were certain factions of the Allied forces that did not believe he had a secret weapon and it wasn’t until the Americans made much emphasis of this that they began to look at it seriously and indeed did discover that Hitler not only had a secret weapon, he had what we would call today a UFO or spacecraft.”
NASA’S DIRTY LITTLE SECRET
Some of these Nazi scientists made it across the Atlantic to America to continue their secret work. Most of us know about Operation Paperclip, in which over 1,500 German scientists, technicians, and engineers from Nazi Germany and other foreign countries were brought to the United States for employment in the aftermath of World War II. Several notable Nazi rocket scientists were intricately involved in launching America’s space program. (wikipedia)
Were Nazi scientists simultaneously developing a secret space program for the United States? And if the American space program was deceiving us with a Nazi affiliation from the very start, how open and transparent do you think NASA would eventually become with future programs? Many alternative-media writers have suggested NASA’s acronym should stand for NEVER A STRAIGHT ANSWER.
9 NAZI SCIENTISTS WHO HELPED BUILD THE AMERICAN SPACE PROGRAM
Wernher von Braun After Operation Paperclip, Braun became the director of the Development Operations Division of the Army Ballistic Missile Agency. While there, he developed the Jupiter-C rocket, which was used to launch America’s first satellite. He was also credited as being instrumental in leading the moon mission.
Werner Dahm After Paperclip, Dahm made huge contributions to the U.S. space race. He worked on the Saturn V booster rocket, aerothermodynamics, and liquid hydrogen propellant systems. For his work, he became Chief of the Aerophysics Division at NASA’s Marshall Space Flight Center before becoming Chief Aerodynamicist at the NASA Center.
Hermann H. Kurzweg After Paperclip, Kurzweg became a technical director at the Naval Ordinance Laboratory in Maryland, where he continued his aerodynamics and aeroballistics research. Later, he became a chief researcher at NASA, investigating aerodynamics and flight mechanics.
Konrad Dannenberg After Paperclip, Dannenberg continued to work closely on his former subjects. He helped the United States to produce rocket engines and missiles. Eventually, he also became deputy manager of the Saturn Program, which focused on creating engines for launching both satellites and space shuttles into space.
Kurt Heinrich Debus After the war, Debus became a prime asset for NASA. His accomplished work on a variety of programs, including launching satellites and the eventual moon mission, led to him becoming the first ever director of the Kennedy Space Center.
Walter Robert Dornberger After the war, Dornberger continued his engineering research for the U.S. He spent time developing guided missile systems for the U.S. Military, before becoming the vice president of the Bell Aircraft Corporation. At Bell, he developed Bell’s Rascal, the first guided nuclear air-to-surface missile.
Eberhard Friedrich Michael Rees After the war, Rees managed to follow his passions. He developed ablative heat shields for NASA, and became the Deputy Director of Development Operations for the Army Ballistic Missile Agency. He also directed the lunar roving vehicle program, before becoming the director of the Marshall Space Flight Center.
Ernst Stuhlinger After Paperclip, Stuhlinger was brought in as director of the Advanced Research Projects Division of the Army Ballistic Missile Agency. He also contributed greatly to the space race, as he was one of the pioneers of electric propulsion. He also worked on the initial phases of the Hubble Telescope.
Hubertus Strughold After the war, Strughold helped to pioneer the field of space medicine. He was vital in the investigation into the effects of weightlessness on people, as well as overseeing the building of space cabin simulators. At NASA, Strughold also played a central role in designing the pressure suit and the onboard life support systems used by Gemini and Apollo astronauts.
ORIGINS OF THE SECRET SPACE PROGRAM
by Peter Levenda
Peter Levenda is an American author who focuses primarily on occult history. He is best known for his book Unholy Alliance, which is about Esoteric Hitlerism and Nazi occultism, and is also the probable author of the Simon Necronomicon.
THE DAY AFTER ROSWELL
by Phillip J. Corso
The Day After Roswell was written by United States Army Colonel Philip J. Corso, with help from William J. Birnes, and was published in 1997, a year before Corso’s death. The book claims that an extraterrestrial spacecraft crashed near Roswell, New Mexico in 1947 and was recovered by the United States government who then sought to cover up all evidence of extraterrestrials. The majority of the book is an account of Colonel Corso’s claims that he was assigned to a secret government program that provided some material recovered from crashed spacecraft to private industry to reverse engineer them for corporate use. (wikipedia)
“The army faced another obstacle in its plans from the members of the Roswell working group who were still establishing and enforcing policy at levels above top-secret. The working group correctly saw that any independent military expedition into space, especially for the purpose of establishing an outpost on the moon, had a high probability of encountering extraterrestrials. In this encounter, there was no guarantee that a military exchange would not ensue or, at the very least, a military report would be filed.
“Even if these reports were kept top-secret, given the military bureaucracy and the presence of legislative oversight it was highly unlikely that the press would not learn about military encounters with aliens. Thus, the basic premise of the working group and its entire mission, the camouflage of our discovery of alien life forms visiting and probably threatening Earth, would be undermined and years of successful operations might easily be brought to an unsatisfactory end. No, the working group would rather have the exploration of space in the hands of a civilian agency whose bureaucracy could be more easily controlled and whose personnel would be handpicked, at least at the outset, by the members of the working group.
“Thus, the stage was set for a Byzantine bureaucratic struggle among members of the same organizations but with different levels of security clearance, policy objectives, and even knowledge of what had taken place in years gone by. And underlying it all was the basic assumption that the world’s civilian population was not ready to learn the real truth about the existence of extraterrestrial cultures and the likely threat these cultures posed to life on Earth.”
– Colonel Philip J. Corso, The Day After Roswell, Chapter 11, Project Moon Base
RICHARD C. HOAGLAND
Hoagland was a Science Advisor to CBS News during the Apollo program. He is the author of the book The Monuments of Mars: A City on the Edge of Forever, and co-authored the book Dark Mission: The Secret History of NASA. He also runs The Enterprise Mission website, an independent NASA watchdog and research group. Richard Hoagland has been a pioneer in exposing NASA’s secrets, from the space agency’s obsessive use of occult ritual, to their systematic coverup of any evidence of an extraterrestrial presence in our solar system, both past and present.
THE FACE ON MARS & SACRED GEOMETRY
Hoagland claims “the Face on Mars” is part of a city built on Cydonia Planitia consisting of very large pyramids and mounds arranged in a geometric pattern, with the ratios between measured angles roughly equaling mathematical constants such as π (pi), e, and the square root of 2. Hoagland speculates that the primary meaning of the geometry of Cydonia is to emphasize the ratio of the sphere and circumscribed tetrahedron. To Hoagland, this is evidence that an advanced civilization might once have existed on Mars, and that NASA is suppressing the evidence. (source)
Hoagland also claims The United States government has covered up the presence of extraterrestrials, that the Space Agency murdered the Apollo 1 astronauts, that NASA missions to Mars are a “well documented interest of the Bush family”, and that there is a clandestine space program which uses antigravity technology reverse-engineered from lunar artifacts and communicated by secret societies. (source)
NASA AND THE OCCULT
Hoagland has written and spoken often about what he sees as NASA’s “fanatical, relentless” drive to pay homage to the Egyptian gods Isis, Osiris, and Horus. Citing work by Robert Bauval and Graham Hancock on the symbolism of the Great Pyramid at Giza, he explains that these gods are honored via their proxies, the stars Sirius (Isis), the “belt” stars of Orion (Osiris), and Regulus (Horus). He has theorized that NASA preferentially arranges for key space mission events to occur when these five stars are at any of five elevations (−33°, −19.5°, 0, 19.5° and 33°) as seen from a significant place related to that space mission event.
As an example, he cites the fact that, at the exact time of the Lunar Orbit Insertion burn of Apollo 8, on 24 December 1968, the Orion belt star Mintaka was exactly on the horizon of the site in the Sea of Tranquility where the Apollo 11 Lunar Module would land seven months later. (source)
APOLLO ASTRONAUTS WITNESS UFOs ON THE MOON
Historic Apollo 15 video footage shows a saucer-shaped UFO hovering over a crater apparently observing two moon walking astronauts. The Apollo 15 video was uploaded to YouTube on April 5, and raised the possibility that it is an advanced spacecraft monitoring the Apollo mission. Whistleblower and astronaut testimonies have revealed the Apollo 11 mission was monitored by two spacecraft hovering over a crater, allegedly giving a warning to NASA. The spacecraft may have been extraterrestrial in origin. Another more intriguing possibility is that the Apollo 15 UFO belonged to a highly classified space program, again warning Apollo astronauts and NASA from future moon missions.
In the video, astronauts Jim Irwin and David Scott are on the moon’s surface. Scott is heard giving commentary as he films Irwin and the surrounding terrain. Scott sweeps through an area showing a white floating saucer-shaped object apparently hovering over a crater’s rim. His first comment when seeing the object is to say “whoops” (2:02 mins) and to then pan away. Scott focuses the camera on the ground which is curious given the strange hovering object near a crater. His “whoops” comment and immediate panning away suggests that he is deliberately trying not to focus in on UFO. Nevertheless, the camera sweeps past the object several times without stopping or focusing on it. This leaves the viewer wondering why he ignored the strange white object.
Scott’s behavior raises the possibility that he was under orders to ignore the UFO and instead film more innocuous features of the moonscape. Was his curious filming behavior a result of some warning NASA had received concerning the Apollo program?
Did Apollo 11 Encounter UFOs on the Moon? from the Book Above Top Secret by Timothy Good.
According to hitherto unconfirmed reports with calls to their offering no help, both Neil Armstrong and Edwin “Buzz” Aldrin saw UFOs shortly after their historic landing on the Moon in Apollo 11 on 21 July 1969. I remember hearing one of the astronauts refer to a “light” in or on a carter during the television transmission, followed by a request from mission control for further information. Nothing more was heard.
According to a former NASA employee Otto Binder, unnamed radio hams with their own VHF receiving facilities that bypassed NASA’s broadcasting outlets picked up the following exchange:
NASA: What’s there? Mission Control calling Apollo 11…
Apollo: These “Babies” are huge, Sir! Enormous! OH MY GOD! You wouldn’t believe it! I’m telling you there are other spacecraft out there, lined up on the far side of the crater edge! They’re on the Moon watching us!
In 1979, Maurice Chatelain, former chief of NASA Communications Systems confirmed that Armstrong had indeed reported seeing two UFOs on the rim of a crater. “The encounter was common knowledge in NASA,” he revealed, “but nobody has talked about it until now.”
Soviet scientists were allegedly the first to confirm the incident. “According to our information, the encounter was reported immediately after the landing of the module,” said Dr. Vladimir Azhazha, a physicist and Professor of Mathematics at Moscow University. “Neil Armstrong relayed the message to Mission Control that two large, mysterious objects were watching them after having landed near the moon module. But his message was never heard by the public-because NASA censored it. “
According to another Soviet scientist, Dr. Aleksandr Kazantsev, Buzz Aldrin took color movie film of the UFOs from inside the module, and continued filming them after he and Armstrong went outside. Dr. Azhazha claims that the UFOs departed minutes after the astronauts came out on to the lunar surface.
So why did NASA eventually terminate the Apollo program if advanced spacecraft were already there and watching the landings? The answer according to Armstrong, as relayed by an unnamed Professor at a NASA symposium, is as follows:
Professor: What really happened out there with Apollo 11?
Armstrong: It was incredible … of course, we had always known there was a possibility … the fact is, we were warned off. There was never any questions then of a space station or a moon city.
Professor: How do you mean “warned off”?
Armstrong: I can’t go into details, except to say that their ships were far superior to ours both in size and technology – Boy, where they big! … and menacing …. No, there is no question of a space station.
Professor: But NASA had other missions after Apollo 11?
Armstrong: Naturally – NASA was committed at that time, and couldn’t risk a panic on earth…. But it really was a quick scoop and back again. (Above Top Secret, p. 186)
NASA was warned against continuing the Apollo program in 1969, and astronauts from subsequent landings were told not to film anything that might reveal artificial structures on the moon or advanced spacecraft monitoring the final Apollo missions. One thing is clear from the Apollo 15 video, a UFO appears to be monitoring the moon walking astronauts – the key question is: “does the UFO belong to extraterrestrials, a highly classified space program, or an ancient human civilization?”
So how did NASA conceal evidence of either an extraterrestrial presence or a secret space program on the Moon? Filmmaker Jay Weidner suggests that Stanley Kubrick was the key to this grand deception.
Secrets Hidden in the Films of Stanley Kubrick
Part One: Kubrick and Apollo
Filmmaker and researcher Jay Weidner reveals the secret knowledge embedded in the work of the greatest filmmaker of all time: Stanley Kubrick. This famed movie director placed symbols and hidden anecdotes into his films that tell a far different story than the films appear to be saying.
Watch the film on Amazon: Kubrick’s Odyssey I
Weidner makes the audacious claim that Stanley Kubrick was responsible for faking the moon landings, and he sets out to prove that if anyone was in a position to do so it was Kubrick. After making a satirical takedown of the American military complex in the film Dr. Strangelove (1964), the Pentagon could not have been too happy with Kubrick, yet they must have been impressed with the level of authentic detail in his B2 bomber and with his special effects that were groundbreaking for the times.
Weidner suggests that Kubrick was contacted soon after, that an offer was made allowing him the freedom to make any movie he wanted for the rest of his life, a deal with the devil he would live to regret until his unexpected death.
Kubrick’s next film, 2001: A Space Odyssey went into production from 1964 to 1968. The Apollo moon program went into production from 1964 to 1969, until we landed on the moon,
Prominent scientist Fred Ordway was both a NASA engineer and an advisor for 2001: A Space Odyssey. Weidner notes that there were many credits in the original theatrical release of 2001 thanking NASA, which have since been removed.
Kubrick perfected a front screen projection technique for the film, as demonstrated in scenes of early hominids discovering a giant black monolith in the African desert. All of the ape-men scenes were shot in a studio. This was the filming technique used before the age of blue screens and green screens. Weidner demonstrates how the same technique was likely used in many of the astronauts moon images and videos. Weidner draws upon the work of Richard Hoagland, yet comes to a differing conclusion, that the geometric patterns in the lunar night sky are imperfections of the projection screen.
But the story doesn’t end with 2001: A Space Odyssey, one of the most imaginative and perplexing films ever made. Many people have written about the hidden esoteric meaning of 2001, and Weidner devotes a second film to exploring this meaning, Kubrick’s Odyssey II.
THE SHINING, AS AUTOBIOGRAPHY
The Shining (1980) opened to mixed reviews and drew a mixed reception, largely due to the extensive liberties that Kubrick took with the source material, Stephen King’s best-selling book. Weidner asserts rather convincingly, that Kubrick used King’s novel as a vehicle to tell his own personal story, to leave hints of his involvement in faking the moon landing images, to describe his ordeal and the grave repercussions it had upon his personal life.
In just one example, Kubrick changed the room number of the famous horror suite in King’s haunted Overlook Hotel to “ROOM No 237,” rearranged to possibly mean “Moon Room,” or the studio where Kubrick faked the moon landing, noting that the moon was considered to be 237,000 miles from the Earth at the time.
In another scene, Jack Nicholson, representing Stanley Kubrick, enters the scene of an imaginary party of elites. Jack begins to look a lot more like Stanley Kubrick. He has been let into their secret posh society, yet he is not really part of their world. He is still just their employee, a caretaker.
Lloyd: “Your money is no good here, orders from the house.”
Jack: “I’m the kind of man who likes to know who is buying my drinks.”
Lloyd: “It’s not a matter that concerns you.”
In the course of the film, Jack begins to lose grip of his sanity as his life quickly falls apart. Was Kubrick perhaps telling us something about his own life?
In the last scene of the film, we see an old photograph where Jack is shown holding a secret note. A man behind him is trying to stop him from revealing the contents of that note.
ALL OF HUMANITY HAS “EYES WIDE SHUT”
Stanley Kubrick’s last film was perhaps his most revealing, detailing some of the darker secrets of elite secret occult societies. It is this film that exposes his knowledge of and personal involvement with the occult elite. On March 7, 1999, four days after screening a final directors cut of Eyes Wide Shut for studio executives, Kubrick died in his sleep at the age of 70, after suffering a massive heart attack. The film was eventually released with extensive edits, on July 16, the date Kubrick wanted the film released, 30 years to the day Apollo 11 was launched.
A THEATRICAL OCCULT RITUAL
The magician creates an illusion by giving our subconscious mind the magic it craves, while keeping our conscious analytical mind distracted. The occult elite work their magic much the same way, hiding the reality of their tricks by creating a cognitive disconnect. Was Stanley Kubrick their magician’s assistant? Did he fake the Apollo moon landings on a studio soundstage to hide the truth from the world, the existence of a human civilization already living upon the moon, rebuilding the ruins of an ancient alien lunar base, perhaps in alliance with nefarious extraterrestrials? Is NASA merely a clever distraction, a theatrical occult ritual, a slight of hand meant to distract us and blind us to this truth?
In PART THREE: SEPARATE REALITIES, I will explore how the truth of a Breakaway Civilization may have been revealed over the decades though science fiction.
About the Author
David Nova is the author of the metaphysical fiction series “Season of the Serpent.” He is a truth-seeker, a Wanderer, a blogger, and the moderator of Deus Nexus: Messages For An Entangled Universe. For additional information about the author or his novels, visit his website, or his Facebook page.
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